Most people do not actually know or understand what stays behind the adverb. That is why a great number of linguistics errors are made. To be honest, adverb and descriptive mistakes are so basic that you cannot sometimes distinguish them, either orally or in written forms.
Adverbs are important, it goes without saying. They describe how, where, and when. They can express the perspective of a writer or speaker concerning this or that thing, situation, place. Adverbs considered to be the parts of speech. Nowadays, specialists have come to the conclusion that an adverb can be utilized as a sort of “catch-all” classification, used with the purpose of characterizing words with different kinds of syntactic conduct.
You can easily find an adverb in the sentence by checking the word`s completion. The majority of adverbs, but not all, have their end in “ly”. For example, furiously, kindly, lovely, joyfully, rapidly. All of these words we use without noticing are adverbs.
Jonathan Franzen has recently presented his 10 “rules for novelists”. They were considered random and supercilious. For instance, let`s take a look at rule number eight: “Interesting verbs are seldom very interesting.” This makes adverbs more essential. The “slowly” of “walked slowly” becomes a crucial point here.
However, there are many different views on how people see the importance of adverbs. Nick Enfield, a professor of linguistics at Sydney University states that most of the adverbs are just needless. In his drafts, he usually uses “very”. But while mastering and polishing his writing, this word is always removed and replaced. Still, sometimes we do need adverbs since they do a lot of things. They help in speeches, articles, official letters, academic papers, etc. The list is endless.
The deal is that adverbs usually give useful extra information that help to see the real emotiveness of what is being said or written. Donald Trump states that adverbs are a perfect means for hyperbole. And that really works! ABC journalist Sarah Ferguson giving an interview last year said, “I shouldn’t use adverbs because they’re bad for the language, but it’s extremely fair.”
If we are talking about novelists, they are not about some mathematics process of counting words and observing whether they are redundant. Instead, the novelists` purpose is to provide us with depth. And it is possible by using all linguistic means. Writers, in this case, take an English-lovers` approach to language.
Adverbs are essential for any good writer. They help to add emotional depths, clarity, and motives. They can be considered as emojis that help the recipient to get the message correctly with all rendered emotions. In addition, adverbs can bring rhythm and texture to any sentence, making it far better. Sometimes the whole meaning of a sentence hangs upon this or that adverb. Just look at the Emily Dickinson poem: “Because I could not stop for death, he kindly stopped for me.” Here the adverb “kindly” is crucial.
To crown it all, adverbs are great in writing and oral speech either since they help us to show sophistication. Moreover, using adverbs can help us to expand our vocabulary. Adverbs help us to give descriptive details of what you are talking about, showing on your emotions and feelings about the things discussed. It also gives the audience a better understanding of your perspectives and connects to your story completely.
